NO.1:天覆者,凡畫皆冒於其下;
NO.2:地載者,有畫皆託於其上;
NO.3:讓左者,左昂右低;
NO.4:讓右者,右伸左縮;
NO.5:橫擔者,中畫宜長;
NO.6:直車者,中豎宜正;
NO.7:勾拿法,其身不宜曲;
NO.8:勾衄法,其勢不可直;
NO.9:畫短撇長;
NO.10:畫長撇短;
NO.11:畫短直長,撇捺宜伸;
NO.12:畫長直短,撇捺宜縮;
NO.13:橫長直短;
NO.14:橫短直長;
NO.15:上下有畫,須上短而下長;
NO.16:左右有直,宜左收而右展;
NO.17:左撇右直,須左縮而右垂;
NO.18:點復者,宜偃仰向前背以求變;
NO.19:畫重者,宜鱗羽參差,以化板;
NO.20:兩平者,左右宜均;
NO.21:三合者,中間務正;
NO.1:天覆者,凡畫皆冒於其下;
NO.2:地載者,有畫皆託於其上;
NO.3:讓左者,左昂右低;
NO.4:讓右者,右伸左縮;
NO.5:橫擔者,中畫宜長;
NO.6:直車者,中豎宜正;
NO.7:勾拿法,其身不宜曲;
NO.8:勾衄法,其勢不可直;
NO.9:畫短撇長;
NO.10:畫長撇短;
NO.11:畫短直長,撇捺宜伸;
NO.12:畫長直短,撇捺宜縮;
NO.13:橫長直短;
NO.14:橫短直長;
NO.15:上下有畫,須上短而下長;
NO.16:左右有直,宜左收而右展;
NO.17:左撇右直,須左縮而右垂;
NO.18:點復者,宜偃仰向前背以求變;
NO.19:畫重者,宜鱗羽參差,以化板;
NO.20:兩平者,左右宜均;
NO.21:三合者,中間務正;