Domestic animation "The Devil Child of Naju" has developed the Taoist philosophy of Yin and Yang thoroughly and vividly, with full color, boiling role and happy spirit. It surpasses the "Return of the Great Sage" in a sense, especially for the presentation of "Shanhe Social Map", which shows the ups and downs, the brilliant brushwork and the fresh flowers like a magic brush and horse Liang.
The film"s comedy expression and violence aesthetics do not affect the depth of the theme of thinking, creating a record of continuous groping.
The film is adapted from Chinese mythology and tells the story of Nazha"s growing experience of "fighting against the heavens to the end" though he was born as a devil.
There are also many colorful legends among the people: this is a "naughty boy" who is unruly and in high tension with his father, King Li Jing of Tota Heaven; like Monkey King, he is a representative of resistance to oppression, and they hold the belief that "my life is beyond my control".
Domestic animation "The Devil Child of Naju" has developed the Taoist philosophy of Yin and Yang thoroughly and vividly, with full color, boiling role and happy spirit. It surpasses the "Return of the Great Sage" in a sense, especially for the presentation of "Shanhe Social Map", which shows the ups and downs, the brilliant brushwork and the fresh flowers like a magic brush and horse Liang.
The film"s comedy expression and violence aesthetics do not affect the depth of the theme of thinking, creating a record of continuous groping.
The film is adapted from Chinese mythology and tells the story of Nazha"s growing experience of "fighting against the heavens to the end" though he was born as a devil.
There are also many colorful legends among the people: this is a "naughty boy" who is unruly and in high tension with his father, King Li Jing of Tota Heaven; like Monkey King, he is a representative of resistance to oppression, and they hold the belief that "my life is beyond my control".